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Alphonse Palumbo |
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Farm Chores, California |
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(American, 1890-1947)
Italian-born Palumbo studied in New York at the Art Students League under Mora and DuMond. He exhibited at the Allied Artists of America, teh National Academy of Design and the Socitey of Independent Artists. |
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1930's |
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26 x 31 |
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estate stamp verso |
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oil on canvas |
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$7,500 |
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Alphonse Palumbo |
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The Red Barn, California |
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1930's |
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29 x 34 |
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estate stamp verso |
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oil on canvas |
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$7,500 |
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Auguste Bonheur |
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Cattle Watering, Early Morning |
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ca. 1870 |
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20 x 27 |
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sll |
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oil on canvas |
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Paul Huet |
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Villa Massimo, Rome |
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PAUL HUET (French 1803-1869) Huet was one of the little masters of 19th century French landscape painting -- a painter of romantic landscapes and a precursor of both the Barbizon school and the impressionists. This work was done during a two-year sojourn in Italy (1841-1843). Huet’s work can be found in the Louvre, the Orsay, and the Petit Palais in Paris and in numerous other museums throughout France and the United States. |
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1842 |
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13 x 20 |
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titled and dated, verso |
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oil on canvas |
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Arthur Clifton Goodwin |
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The Red Barn |
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Arthur Clifton Goodwin (American, 1864-1929)
Self-taught and enormously talented, Arthur Clifton Goodwin produced a large body of work in oil and pastel that reflected his residence first in Boston, and later in and around New York City. This canvas, depicting the then-rural view across the Hudson along Spuyten Duyvil Creek just north of Manhattan, was exhibited at the Addison Gallery of American Art, at Phillips Academy in Andover, MA, at the first retrospective of Goodwin's work in 1946.
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ca. 1920 |
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24 x 30 |
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sll |
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oil on canvas |
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Charles Harry Eaton |
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Summer Stream |
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American, 1850 - 1901)
Self taught, Charles Harry Eaton exhibited widely at major East Coast venues during his active painting years from 1880 to 1900, winning medals along the way. He was a member of the American Watercolor Society, and the Boston Art Club, among others. This work is similar in size and subject matter to the one he exhibited at the Chicago World's Fair, 1893. |
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ca. 1890 |
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24 x 37 |
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sll |
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oil on canvas |
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$9,500 |
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Alphonse Palumbo |
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The Pheasant |
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(American, 1890-1947)
Italian-born Palumbo studied in New York at the Art Students League under Mora and DuMond. He exhibited at the Allied Artists of America, teh National Academy of Design and the Socitey of Independent Artists. |
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26 x 32 |
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sll |
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oil on canvas |
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$2,750 |
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Alfred C. Howland |
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The Country Mansion |
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ALFRED C. HOWLAND (American, 1838 – 1909). Howland trained informally in Boston in the 1850’s before traveling to Europe for study at the Dusseldorf Academy and then in Paris. He was a member of the National Academy from 1882. Howland lived in New York City much of his life but summered in Williamstown, MA. Unlike many of his contemporaries, Howland populated his landscapes with lively country character, houses, farm buildings, bridges, fences and other occasional architecture of the countryside. All those characteristics are on display in this work with its elegant country mansion at the center, its several ladies at play on the front law, and the outbuildings along the river or lakeside.
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1871 |
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15 x 22 |
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sll |
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oil on canvas |
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$12,500 |
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Theodore Slafter |
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Across the Marsh |
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Theodore S. Slafter (American,
THEODORE S. SLAFTER (American, 1854-194?) Slafter was born in Dedham, Mass, where his father was principal of the high school. After attending Dartmouth, he studied art at the Royal Academy in Munich. During his adult years as an active artist, he lived in Dedham and exhibited at the Boston Art Club.
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ca. 1910 |
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12 x 18 |
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oil on canvas |
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$2,750 |
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Tom Murray |
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Southwestern Canyon |
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Born in Spokane, Washington, in 1953 self-taught Tom Murray paints the landscape of the southwest in a photo-realistic style. |
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1984 |
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20 x 14 |
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signed lower right |
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oil on canvas |
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$2,950 |
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Fred Nichols |
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Autumn |
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Fred Nichols (American, 1948 -- ). Fred Nichols trained at the Unversity of Virginia (B.A.), Pratt Institute (M.F.A. 1973) and the Ecoles des Beaux Arts inFontainebleau, France (1969). A contemporary realist, Nichols currently maintains a gallery in Barboursville, Virgina. This painting is a stunning example of the artist's work, here in a very large format. It is also, apparently, representative of Nichols work as a whole and evidence of his success in achieving his stated objectives as an artist. His artist statement notes:
"The objective of my art is to recreate the natural world that surrounds and forms us...Through my study of the wilderness, I hope to renew an interest and desire not only to protect, but also appreciate, the natural world.
My work is concerned with beauty and the picturesque landscape: the clear, blue day that warms the soul; the waterfall that flows with sound and movement; the peacefulness of an afternoon stream; the colors of a tree changing seasons. The challenge is to present these experiences in a way that engages the viewer....My method is to go into the wilderness and photograph, returning to the studio to paint. Working with the photograph allows me to capture a place, one moment in time, one season at a time. The photograph is the starting point of a search for a new reality..."
"I want my art to be positive and uplifting," the artist concludes. "I want it to wake people up to the natural world around them. I want it to give them a respite from the stresses of everyday life." This painting succeeds on all these counts. See also www.frednichols.com
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1982 |
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72 x 48 |
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signed lower right |
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oil on canvas |
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$12,000 |
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William Milne |
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Early Autumn |
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Ex Collection: Philip Desind |
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1979 |
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36 x 57 |
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yes |
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oil on board |
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$7,500 |
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Robert Jordan |
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Evening Shadows |
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American (1925 - 1993) |
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26 x 34 |
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signed lower right |
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oil on canvas |
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$3,500 |
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Lovell Birge Harrison |
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Autumn Moonrise |
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Lovell Birge Harrison (American, 1854 - 1929) |
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ca. 1910 |
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24 x 30 |
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signed lower left and on stretcher |
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oil on canvas |
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$28,000 |
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Robert Emmet Owen |
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Pink Snow |
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ca. 1940 |
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12 x 16 |
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slr |
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oil on canvas |
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$7,500 |
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Gillini |
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Parisian Nocturne |
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This nocturne -- or pre-dawn scene, perhaps -- may portray the early morning bustle at the old Les Halles produce market in central Paris. |
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ca. 1900 |
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9 x 12 |
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sll |
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oil on canvas |
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$3,500 |
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Wellington Jarard Reynolds |
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Moonrise |
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Wellington Jarard Reynolds (American, 1869 - 1949).
Illinois-born Reynolds studied in Paris and Munich before returning to Chicago at the turn of the century, where he taught and painted for the next 30 years. He exhibited widely in the US and Paris, earning medals along the way, and his works, though rare in the marketplace, can be found in numerous museums and public collections throughout the US.
This work reminds one of (and holds up to!) the best Ipswich work of Arthur Wesley Dow in its composition, mood, and color, and is probably contemporaneous with that work.
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ca. 1910 |
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20 x 25 |
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slr |
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oil on board |
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George Derville Rowlandson |
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The Walled Garden |
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Geroge Derville Rowlandson (British, 1861-1930)
Known principally for his dashing hunting scenes, Rowlandson shows off his talents as a colorist in this lush garden scene. |
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1902 |
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18 x 14 |
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sll |
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oil on canvas |
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George Renouard |
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The Last Snow |
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GEORGE RENOUARD (American, 1885-1954) A graphic artist and painter, Renouard taught at the Art Students League in New York. He painted in and around the New York and New England during much of his professional life. Independent means apparently allowed Renouard to pursue his artistic career without need to commercialize his work, although he did exhibit his work at the Fifteen and Morton Galleries in New York City in the 1930’sa and 1940’s. He also exhibited at the Art Institute of Chicago and the National Academy of Design.
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ca. 1940 |
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18 x 22 |
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Exbibition label verson |
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oil on canvas |
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$4,500 |
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Albert Ludovici, Jr. |
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"Le Soir" |
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Albert Ludovic, Jr. (British, 1852-1932) |
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ca. 1890 |
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18 x 24 |
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signed lower left |
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oil on canvas |
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$6,500 |
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Per Ekstrom |
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Sunset over Flooded Landscape |
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Per Ekstrom (Swedish, 1844 - 1935). A Bohemian figure in mid-century Stockholm, Ekstrom formed part of the Swedish colony in Barbizon, France, from 1875. After sojourns in Normandy and Paris, Ekstrom returned to Sweden in 1889. Here, as in many of Ekstrom's works of the period, impressionism meets northern light. |
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ca. 1900 |
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36 x 54 |
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signed lower left |
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oil on canvas |
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$17,500 |
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Per Ekstrom |
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Sunset |
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Per Ekstrom (Swedish, 1844 - 1935) |
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ca. 1910 |
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16 x 24 |
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sll |
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oil on board |
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$8,500 |
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Albert Insley |
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The See-Through Barn |
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Albert Insley (American,1842 - 1937) |
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ca. 1910 |
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10 x 14 |
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slr |
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oil on canvas |
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$6,500 |
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Carl Kenzler |
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Monterey Coast |
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Carl Kenzler (1880 - ). This lovely scene of the California coast, most likely from the Monterey area, is evocative of the strong arts and craft influence in the artist colony that thrived in the area in the early part of the last century. |
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ca 1910 |
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31 x 47 |
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signed lower left |
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oil on canvas |
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Alexander Harrison |
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Path through the Dunes |
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Thomas Alexander Harrison (American, 1853 -1930)Alexander Harrison's first career was as a topographical draftsman for the U.S. Coastal Survey, following early studies in art at the Pennsylvania Academy of Fine Arts (PAFA). By 1879, however, he was studying with Jerome and Bastien-Lepage in Paris, where he soon established his reputation as a leader among American painters there. Harrison remained in France for most of his adult life, exhibiting extensively in Paris. He returned to the States often, however, where he also exhibited extensively (perhaps most so at the PAFA), and where his work found great favor. During his long career, Harrison received numerous exhibition medals on both sides of the Atlantic, and his work can be found in many leading museums. On his death in 1930, the New York Times described Harrison as the "dean of American painters." |
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ca. 1890 |
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16 x 24 |
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signed lower right |
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oil on canvas |
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Alexander Harrison |
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The Road to Concarneau |
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ca. 1885 |
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16 x 24 |
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slr |
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oil on canvas |
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Guillaume Van Strydonck |
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A Rural Landscape in India |
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Guillaume Van Strydonck (Belgian, 1861 - 1937). Van Strydonck was one of the "Circle of The Twenty" Belgian artists who banded together in the last two decades of the 19th century to promote their own art and their commitment to the new art and modernity. Van Strydonck travelled to India in the 1890's where he painted this work, in 1896. |
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1896 |
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17 x 30 1/2 inches |
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signed, dated and located, ll |
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oil on canvas |
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Andrew Wilkie Kilgour |
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Montreal, Seen from St. Helen's Island |
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Andrew Wilkie Kilgore (Canadian, 1868 - 1930). An old label affixed to the back of the panel gives the title "From St. Helen's Island" and indicates the work was shown at the Arts Club of Montreal 1925 Christmas Exhibition. Framed in a handsome, reeded frame of the period. |
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1925 |
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10 x 17 |
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signed lower right |
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oil on panel |
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$3,250 |
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Raoul Camille Van Maldere |
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The Farm at Ciotat |
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Raoul Van Maldere (French, 1875 - 1947) |
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1921 |
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22 x 29 |
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signed and dated lower right |
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oil on canvas |
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$9,500 |
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Carl Felber |
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After the Snowfall |
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Carl Frederich Felber (Swiss, 1880 - 1932) |
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35 x 41 (90 x 105 cm) |
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signed lower left |
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oil on canvas |
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$9,500 |
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Pei Kun Wang |
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Old Beijing Doorway, No. 1 |
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Wang pei Kun (Chinese, 1968 -- ). |
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2005 |
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32 x 24 |
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lower right |
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oil on canvas |
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$4,500 |
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Pei Kun Wang |
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Old Beijing Doorway, No. 3 |
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Wang Pei Kun (Chinese, 1968 -- ) |
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2004 |
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36 x 24 |
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singed lower right |
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oil on canvas |
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$4,750 |
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Pei Kun Wang |
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Old Beijing Doorway No. 4 |
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Wang Pei Kun (Chinese, 1968-- ) |
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2004 |
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36 x 24 |
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signed lower right |
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oil on canvas |
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$4,750 |
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Elliot Clark |
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Afternoon Sky, Palm Springs |
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10 x 14 |
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signed lower right |
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oil on paper |
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$2,200 |
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James Renwick Brevoort |
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Summer Afternoon |
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1868 |
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14 x 27 1/2 |
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1868 |
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oil on canvas |
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