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Alphonse Palumbo |
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Farm Chores, California |
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(American, 1890-1947)
Italian-born Palumbo studied in New York at the Art Students League under Mora and DuMond. He exhibited at the Allied Artists of America, teh National Academy of Design and the Socitey of Independent Artists. |
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1930's |
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26 x 31 |
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estate stamp verso |
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oil on canvas |
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$7,500 |
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Georges Paul Leroux |
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Samson Smiting the Philistines |
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1902 |
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54 x 72 |
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slr |
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oil on canvas |
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Auguste Bonheur |
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Cattle Watering, Early Morning |
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ca. 1870 |
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20 x 27 |
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sll |
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oil on canvas |
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Tony Minartz |
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The Cafe Concert |
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ANTOINE GUILLAUME “TONY” MINARTZ (French, 1870-1944)
An engraver and self-taught painter who was influenced by Toulouse-Lautrec, Tony Minartz was a member of the Societe Nationale des Beaux Arts from 1901 and exhibited there over the course of two decades. He specialized in scenes of Parisian night life, music halls and cafes. The Benizet art dictionary notes: "he was best known for his interpretations of Parisian daily life, the festivals, the casino, the cafe-concert, the circus, the music-hall, the Opera and the ballets, of which he remains one of the truest chroniclers." Minartz’ works are found in the Hermitage Museum (from the collection of M.K. Morozova), among others. The entertainer in this painting may be May Belfort, an Irish-born singer who was featured prominently in several works by Toulouse-Lautrec.
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ca. 1900 |
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32 x 23 |
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oil on canvas |
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Dean Larson |
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Italian Interior With Cello |
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DEAN LARSON (American, 1957- )
Larson studied at the Schuler School of Fine Arts in Baltimore, where he lived for 20 years before re-locating to San Francisco.
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1998 |
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24 x 20 |
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sll |
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oil on canvas |
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$7,500 |
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Frederik Hendrik Kaemmerer |
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The Artist's Muse |
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Dutch (1939 - 1902). Frederik Hendrik Kaemmerer studied under Gerome in Paris and then split his time between that city and The Hague. He gained considerable success with his small, highly finished works of elegant women. His success continued later in his life, when his brushwork become freer and more impressionistic. This work clearly looks to be from that later period and the sitter may well have been a favored model of the artist.
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ca. 1900 |
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32 x 25 |
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sll |
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oil on canvas |
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Arthur Clifton Goodwin |
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The Red Barn |
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Arthur Clifton Goodwin (American, 1864-1929)
Self-taught and enormously talented, Arthur Clifton Goodwin produced a large body of work in oil and pastel that reflected his residence first in Boston, and later in and around New York City. This canvas, depicting the then-rural view across the Hudson along Spuyten Duyvil Creek just north of Manhattan, was exhibited at the Addison Gallery of American Art, at Phillips Academy in Andover, MA, at the first retrospective of Goodwin's work in 1946.
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ca. 1920 |
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24 x 30 |
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sll |
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oil on canvas |
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Lovell Birge Harrison |
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Autumn Moonrise |
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Lovell Birge Harrison (American, 1854 - 1929) |
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ca. 1910 |
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24 x 30 |
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signed lower left and on stretcher |
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oil on canvas |
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$28,000 |
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George Barse |
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Night and Declining Day |
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George R. Barse, Jr. (American, 1861-1938). Barse trained extensively in Paris (1879-1885) at the Academie Julien and the Ecole des Beaux Arts and exhibited at the Paris Salon in the early 1880's. Back in the US, Barse became a member of the national Academy and the Society of American Artists and exhibited widely in the East and midwest, including a one-man exhibte at the Art Institute of Chicago in 1907. |
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1897 |
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80 x 40 |
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signed lower left |
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oil on canvas |
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Alexander Harrison |
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The Circle of the Sea |
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(Thomas) Alexander Harrison (American, 1853 - 1930). The older brother of painter Birge Harrison, Alexander Harrison's first career was as a topographical draftsman for the U.S. Coastal Survey, following early studies in art at the Pennsylvania Academy of Fine Arts. By 1879, however, he was in Paris studying art with Jerome and Bastien-Lepage. Harrison remained in France for most of his adult life, exhibting extensively in Paris. He returned to the States often, however, where he work found great favor. Harrison received numerous exhibition medals on both sides of the Atlantic and his work can be found in numerous museums in the US and Europe. On his death in 1930, the New York Times described Harrison as the "dean of American painters."
Given its size, subject matter, and brilliant execution, this work clearly ranks as a major work by the artist. It combines the elements he was most noted for: the sea and its changing colors and movements at the end of the day; human figures (here two boys playing in the surf) and an element of symbolist mystery (branches bent into the shape of a circle held aloft by the two boys). |
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ca. 1900 |
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38 x 51 |
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slr |
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oil on canvas |
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Andre Dauchez |
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View of Pont-Croix, Brittany |
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Andre Dauchez (French, 1870 - 1948) |
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ca. 1920 |
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22 x 32 |
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signed lower left |
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oil on canvas |
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$10,500 |
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Ludovic Vallee |
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Floral Still Life |
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Ludovic Vallee (French, 1864 - 1934) |
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24 x 15 |
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signed lower right |
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oil on canvas |
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$7,500 |
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Per Ekstrom |
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Sunset over Flooded Landscape |
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Per Ekstrom (Swedish, 1844 - 1935). A Bohemian figure in mid-century Stockholm, Ekstrom formed part of the Swedish colony in Barbizon, France, from 1875. After sojourns in Normandy and Paris, Ekstrom returned to Sweden in 1889. Here, as in many of Ekstrom's works of the period, impressionism meets northern light. |
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ca. 1900 |
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36 x 54 |
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signed lower left |
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oil on canvas |
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$17,500 |
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Emile Quentin Brin |
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Springtime Frolic |
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Emile Quentine Brin (French, born 1863). Brin showed at the Salons des Indeendants from 1904 and at the Salon de la Societe Nationale des beaux Arts from 1909, specializing in figural work, genre scenes and marines. |
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ca. 1905 |
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33 x 22 |
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signed |
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oil on canvas |
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Alexander Harrison |
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Path through the Dunes |
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Thomas Alexander Harrison (American, 1853 -1930)Alexander Harrison's first career was as a topographical draftsman for the U.S. Coastal Survey, following early studies in art at the Pennsylvania Academy of Fine Arts (PAFA). By 1879, however, he was studying with Jerome and Bastien-Lepage in Paris, where he soon established his reputation as a leader among American painters there. Harrison remained in France for most of his adult life, exhibiting extensively in Paris. He returned to the States often, however, where he also exhibited extensively (perhaps most so at the PAFA), and where his work found great favor. During his long career, Harrison received numerous exhibition medals on both sides of the Atlantic, and his work can be found in many leading museums. On his death in 1930, the New York Times described Harrison as the "dean of American painters." |
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ca. 1890 |
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16 x 24 |
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signed lower right |
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oil on canvas |
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Alexander Harrison |
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The Road to Concarneau |
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ca. 1885 |
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16 x 24 |
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slr |
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oil on canvas |
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Georges Giraud |
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1920's Still Life |
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Georges Giraud (French, active ist half 20th century).Giraud was born in Rennes and lived and worked in Paris, where he specialized in still life and flower painting. he exhibited in the principal Paris salons throughout his career. |
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ca. 1920 |
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28 x 20 |
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signed upper right |
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oil on canvas |
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$7,500 |
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Louis Adolphe Tessier |
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The Communicants |
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Louis Adolphe Tessier, (French, 1858 - 1915) |
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1907 |
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40 x 40 inches |
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signed and dated |
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oil on canvas |
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$15,000 |
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Raoul Camille Van Maldere |
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The Farm at Ciotat |
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Raoul Van Maldere (French, 1875 - 1947) |
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1921 |
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22 x 29 |
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signed and dated lower right |
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oil on canvas |
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$9,500 |
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Carl Felber |
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After the Snowfall |
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Carl Frederich Felber (Swiss, 1880 - 1932) |
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35 x 41 (90 x 105 cm) |
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signed lower left |
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oil on canvas |
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$9,500 |
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Pei Kun Wang |
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Old Beijing Doorway, No. 1 |
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Wang pei Kun (Chinese, 1968 -- ). |
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2005 |
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32 x 24 |
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lower right |
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oil on canvas |
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$4,500 |
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Pei Kun Wang |
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Old Beijing Doorway, No. 3 |
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Wang Pei Kun (Chinese, 1968 -- ) |
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2004 |
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36 x 24 |
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singed lower right |
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oil on canvas |
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$4,750 |
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